Convergent Design Odyssey7Q Recorder Firmware 2015.11.1217 Download

Posted at December 22, 2024 by PCI-DB Team

Convergent Design Odyssey7Q Recorder Firmware 2015.11.1217 Description

NEW FEATURES ODYSSEY7Q+/7Q (ODYSSEY RAW BUNDLE)

FS700 2K Raw HS -> 2K Apple ProRes
- Supports 100, 120, 200, & 240fps in 2K Apple ProRes (HQ/422/LT)

FS7 2K Raw HS -> 2K Apple ProRes
- Supports 100, 120, 200, & 240fps in 2K Apple ProRes (HQ/422/LT)

NEW FEATURES (ALL ODYSSEYS)

Spot Meter
- New Advanced Monitoring Tool for determining precise color and luminance

Additional Test Patterns
- EBU 75% and 100% Color Bar Options

Improved Monitoring Tools Overlay Option
- Frame Guides now available for video output
- Graticule lines & marks included on metering tools video outputs
- Available for SDI and HDMI outputs

C300 Mark II CLOG2 Preset LUTs Added
- Canon_EE_709_CL2_WDR: BT.709_CanonLog2-to-BT.709_WideDR_33_Ver1.0.cube
- Canon_EE_709_CL2_WDR: CanonLog 2/Rec.709 to Wide Dynamic Range Rec.709
- Canon_EE_Cin_CL2_WDR: CinemaGamut_CanonLog2-to-BT.709_WideDR_33_Ver1.0.cube
- Canon_EE_Cin_CL2_WDR: CanonLog 2/CinemaGamut to Wide Dynamic Range Rec.709

Canon C500 CLOG Preset LUTs Updated
- Canon_EE_709_CL1_WDR: BT.709_CanonLog-to-BT.709_WideDR_33_Ver1.0.cube
- Canon_EE_709_CL1_WDR: CanonLog 1/Rec.709 to Wide Dynamic Range Rec.709
- Canon_EE_Cin_CL1_WDR: CinemaGamut_CanonLog-to-BT.709_WideDR_33_Ver1.0.cube
- Canon_EE_Cin_CL1_WDR: CanonLog 1/CinemaGamut to Wide Dynamic Range Rec.709

Panasonic V-Log Preset LUT Updated
- VariCam35/HS series, GH4 & DVX200

FIXES & IMPROVEMENTS

- FIXED Rare access issue with RAW rental options
- FIXED Issue with improperly-marked 2K HS RAW->HD Apple ProRes files
- FIXED Rare interference issue with HDMI display
- FIXED file name issue with ALEXA SUP 11.01
- FIXED Apple ProRes playback skipping and judder
- FIXED horizontal lines in Multi-Stream Monitoring mode
- FIXED internal/LTC timecode with Indiecam and IO Industries RAW modes
- FIXED LUT On/Off clean SDI/HDMI output in FS700 RAW mode
- FIXED display image tearing in ARRIRAW 48/50/60p
- FIXED timecode in FS700/FS7 2K HS->HD Apple ProRes
- FIXED Vectorscope in 4K Apple ProRes and ARRIRAW modes
- FIXED analog audio input mixing with playback audio
- IMPROVED ARRIRAW Detection
- IMPROVED Touchscreen response
- IMPROVED Vectorscope magnification increments
- IMPROVED HDMI/SDI Source detection
- IMPROVED 1080p24 detection with Canon C100
- IMPROVED Reduced power consumption in Apple ProRes recording modes

SOFTWARE

CD Apple ProRes Transfer Tool v1.10
- Support for Apple ProRes 4444(XQ) and 4444
- Windows and Mac versions available

FS RAW Post Workflow LUT / Workflow Update
- New LUTs for matching FS7/FS700 RAW recording to Apple ProRes recording
- New documentation and video tutorials on Convergent Design website
- New Canon CLOG and CLOG2 Additional Presets Available for Download

KNOWN ISSUES

- Record Trigger from Panasonic DVX200 not currently supported
- If signal is lost while recording in Dual-Stream Monitoring mode, ending current recording may take up to 10 seconds.
- In Dual-Stream Monitoring Analog Audio is only Supported on HDMI / SDI A
- Skip Frame 50/60p is not supported in 4K Raw->4K/UHD Apple ProRes.
- Occasionally when changing frame rates, or when the source is removed the OLED will change to a green / taupe> To correct, reconnect a video source, switch to playback and then back to live; or cycle power.
- DPX 444 not currently supported on 7Q (works on 7Q+). Apple ProRes 4444/4444(XQ) fully supported.
- Occasionally when switching from Live to Playback the video will be black or White, to remedy, select a clip from the playlist, or switch back to live, then back to playback.
- if “Input Mismatch” is seen with a dual link source, remove SDI B, then reconnect. (ProRes 4444, ARRIRAW, CanonRAW)
- Color bars can appear distorted. To correct, disconnect video inputs when viewing color bars.
- Zoom does not work correctly in Canon RAW / Half RAW (this does work in Canon RAW-> Apple ProRes ).
- Dual-Link 1080p50/60 422 from the ALEXA is not supported. Use single 3G-SDI for 1080p50/60 422. (ProRes / DPX )

PREVIOUS KNOWN ISSUES

Audio
- SDI/HDMI outputs occasionally will not carry audio. Cycle Odyssey power to restore.
- SDI/HDMI audio occasionally will have a static pop when powering up.
- Audio occasionally will swap tracks when recording in DPX.
- Audio output (headphones) occasionally flips channels.

Monitor
- SDI/HDMI outputs have a pink line in image on Canon C500 2K 12-bit/10-bit video. Recording is unaffected.
- Switching between ARRIRAW 1.5G DL and 3G DL occasionally can make the image incorrect on the OLED screen. Disconnect & reconnect one of the SDI inputs to correct. Recording is unaffected.
- IO Industries RAW files do not send color balance metadata to the Odyssey7Q so images appear incorrect. Recorded metadata color balance is set to 5600K but is not baked in.

Play
- Very fast scrubbing can show bad colors. The image corrects after scrubbing completed.
- Multiple clip play is currently supported only in DPX and Apple ProRes 422(HQ).
- Scrubbing RAW or DPX files occasionally causes the image to pixelate. The image corrects after scrubbing completed.
- FS700 2K RAW files occasionally show improper colors on initial selection of a clip. De-select and then re-select the clip to correct.
- FS700 RAW files occasionally show vertical line on right edge of frame. Recording is unaffected.
- F700 4K RAW 50p files occasionally do not play back audio. Recording is unaffected.
- FS700 RAW 30p and 60p files occasionally play with jitter. De-select and re-select to correct. Recording is unaffected.

Record
- Audio at the last few frames of an Apple ProRes 422(HQ) file occasionally records static. Add two seconds of pre- and post-roll to shots to avoid.
- ARRIRAW 4:3 mode is currently unsupported.

About Digital Camera Updates:

Updating to a newer firmware version than the one already installed on your camera can improve the device’s overall performance and stability, resolve various issues, and add support for newly developed features or enhance existing ones.

On the other hand, downgrading the camera’s firmware can recover its functionality in the unlikely event the currently installed version is faulty or the device’s performance dropped after an upgrade. However, bear in mind that applying an earlier build might not always be possible.

It is recommended that changing the camera’s firmware be performed when the new release resolves an issue that your device has been encountering, or adds a new feature (or enhances an existing one) that could prove useful for you.

This process isn’t intended to be destructive, but still, it’s best to save all your personal data and configurations before applying a different firmware. Moreover, make sure that the battery is fully charged and don’t use the camera’s buttons while the installation is in progress.

When it comes to the update method, usually, you must copy the firmware file onto a compatible memory card, insert it into the camera, and browse from the menu to the device’s update section.

However, each device has various ways to enter the update mode and particular steps that should be taken for a successful upgrade, therefore make sure you read the product’s installation guide.

That being said, if you consider that this firmware improves your device in any way, then hit the download button and get the desired version; if not, check with our website as often as possible so that you don’t miss the update that will boost your camera’s performance. 

  It is highly recommended to always use the most recent driver version available.

Try to set a system restore point before installing a device driver. This will help if you installed an incorrect or mismatched driver. Problems can arise when your hardware device is too old or not supported any longer.

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