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Convergent Design Odyssey7 Recorder Firmware 5.10.100 Download

Posted at December 22, 2024 by PCI-DB Team

Install Driver Automatically
Device NameConvergent Design Odyssey7 Recorder Firmware 5.10.100
CategoryScanner Digital Camera Webcam
ManufacturerOTHERS
File Size93.4 MB
Supported OSOS Independent

Convergent Design Odyssey7 Recorder Firmware 5.10.100 Description

NEW FEATURES (ODYSSEY7Q+):

HDMI 4K/UHD > 2K/HD Super Sample
- 4096x2160 to 2048x1080 23.98
- 3840x2160 to 1920x1080 23.98
- High quality supersampling of 4K/UHD video signal over HDMI yields 2K/HD video superior to that available directly from some small cameras

NEW FEATURES (ODYSSEY7Q & ODYSSEY7Q+):

Apple ProRes 422 & Apple ProRes 422 (LT) Support
- 4K/UHD/2K/1080/720 resolutions all supported
- 4K/UHD up to 30p; 2K/1080/720 up to 60p

Sony F35 12-bit/10-bit RGB 4:4:4 Support
- 12-bit or 10-bit RGB 4:4:4 recording in uncompressed DPX stacks
- Dual-link capture, 23.98, 25, 29.97

Sony FS7/FS700 Record Option Adds Apple ProRes 422 & Apple ProRes 422 (LT)
- FS7/FS700 Record Option Required.
- Option of Apple ProRes 422 or Apple ProRes 422 (LT) for
- 4K RAW > 4K Apple ProRes 23.98
- 4K RAW > UHD Apple ProRes 23.98
- 4K RAW > 2K Apple ProRes 23.98, 25, 29.97, 50, 59.94
- 4K RAW > HD Apple ProRes 23.98, 25, 29.97, 50, 59.94

Sony FS700 Record Option Adds High Speed Burst in 2K/HD Apple ProRes
- FS7/FS700 Record Option Required. Feature only available for FS700.
- Option of Apple ProRes 422 (HQ), Apple 422 or Apple 422 (LT) for
- 4K RAW Burst > 2K Apple ProRes 100p, 120p
- 4K RAW Burst > HD Apple ProRes 100p, 120p

Canon C500 Record Option Adds Apple ProRes 422 & Apple ProRes 422 (LT)
- Canon RAW Record Option Required.
- Option of Apple ProRes 422 or Apple ProRes 422 (LT) for
- 4K RAW > 4K Apple ProRes 23.98, 24, 25, 29.97, 30
- QHD RAW > UHD Apple ProRes 23.98, 24, 25, 29.97, 30

NEW FEATURES (All Odysseys):

Apple ProRes 422 & Apple ProRes 422 (LT) Support
- 1080p, 1080i & 720p supported

Odyssey Remote Trigger Supported
- New Odyssey Remote Trigger (cable remote with record indicator)
- HD Apple ProRes recording only

FIXES & IMPROVEMENTS:

- FIXED HDMI video Legalizing issue on some cameras
- FIXED FS7 RAW DNG magenta cast
- FIXED FS7 RAW DNG compatibility with Adobe, FCPX & Scratch Lab
- FIXED C300 1080p30 playback
- FIXED FS7 RAW to Apple ProRes S-Log2
- FIXED C100 & FS100 1080p24 support
- IMPROVED Playback performance
- IMPROVED Safe Eject errors
- IMPROVED FS700 LUTs

KNOWN ISSUES:

- 4K/UHD HDMI input recording 4K/UHD Apple ProRes, HDMI monitoring output shows lines in display. SDI output, OLED image and recording are unaffected.
- 4K/UHD HDMI input recording to supersampled 2K/HD Apple ProRes, OLED image may show lines in display. HDMI & SDI outputs and recording are unaffected.
- During SSD Safe Eject, OLED will flash after each clip completed. Operation unaffected.
- 720p50/60 over HDMI not functioning on Odyssey7Q+ (working on Odyssey7 and Odyssey7Q).
- Timecode triggering over HDMI not correctly functioning on FS7 & GH4. Use camera trigger.
- SDI output embedded audio occasionally has ticking noise.
- FS7 4K RAW>2K/HD Apple ProRes, S-Log3 to Rec709 LUT not working.
- FS700 4K RAW to 2K/HD Apple ProRes S-Log2 to Rec709 LUT not working.
- FS700 4K RAW Burst up to 10 additional frames (450 instead of 440) recorded. Additional frames are “bad” and should be deleted.
- FS700 4K RAW Burst > 2K/HD Apple ProRes clip length may be off by 1% (437 frames instead of 440).

KNOWN ISSUES (FROM PREVIOUS RELEASE: 4.1.100):

Audio
- SDI/HDMI outputs occasionally will not carry audio. Cycle Odyssey power to restore.
- SDI/HDMI audio occasionally will have a static pop when powering up.
- Audio will occasionally swap tracks when recording in DPX.
- Using Analog Audio and HDMI video, occasionally SDI, HDMI and headphone outputs do not carry audio.
- Audio output (headphones) occasionally flips channels.

Monitor
- Focus Assist in Edge Enhanced mode and recording Apple ProRes 422(HQ) shows edges as white instead of selected color.
- PIXEL ZOOM in RAW or DPX occasionally causes stretching of image. Recording is unaffected.
- Switching between ARRIRAW 1.5G DL and 3G DL occasionally can make the image incorrect on the OLED screen. Disconnect & reconnect one of the SDI inputs to correct. Recording is unaffected.
- SDI/HDMI outputs have a pink line in image on Canon C500 2K 12-bit/10-bit video. Recording is unaffected.
- IO Industries RAW files do not send color balance metadata to the Odyssey7Q so images appear incorrect. Recorded metadata color balance is set to 5600K but is not baked in.

Play
- Very fast scrubbing can show bad colors. The image corrects after scrubbing completed.
- PLAY mode audio occasionally out of sync.
- Playlist occasionally reports timecode as “00:00:00;00”. Eject and re-insert the SSD to correct.
- PIXEL ZOOM in PLAY mode, 1080i60 not supported & will blank image. Recording is unaffected.
- Scrubbing RAW or DPX files occasionally causes the image to pixelate. The image corrects after scrubbing completed.
- FS700 2K RAW files occasionally show improper colors on initial selection of a clip. De-select and then re-select the clip to correct.
- FS700 RAW files occasionally show vertical line on right edge of frame. Recording is unaffected.
- F700 4K RAW 50p files occasionally do not play back audio. Recording is unaffected.
- FS700 RAW 30p and 60p files occasionally play with jitter. De-select and
- re-select to correct. Recording is unaffected.
- Multiple clip playback not supported in RAW formats.
- Canon UHD RAW occasionally plays back black image. De-select and re-select to correct. Recording is unaffected.

Record
- Audio at the last few frames of an Apple ProRes 422(HQ) file occasionally records static. Add two seconds of pre- and post-roll to shots to avoid.
- ARRIRAW 4:3 mode is currently unsupported.

Post
- FS RAW files appear green when imported directly into SpeedGrade.
- Pending Adobe update, import via dynamic link from Premier.
- Canon Cinema 4K half RAW 100/120 does not work in Adobe or Resolve - Working with Adobe and BMD to resolve.
- In Resolve 11 Lite, FS700 RAW (CinemaDNG) files that are underexposed may appear green when using “Auto-Color” setting. - Working with Blackmagic Design to resolve.




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